Rocky Pastures: Before There Was the Walled Garden, Part II – Rocky Pasture’s Predecessor

Perhaps I may be regarded as allergic to noise.  Possibly I am – and then, again, I may merely be one of a multitude who realize that noise is a form of torture created and tolerated by idiots.

-Kenneth Roberts in I Wanted to Write (pg. 189)

***The following is part of a series to promote Rocky Pastures and the Design Show House the Kennebunkport Historical Society is sponsoring at the estate on June 23 – July 14. You can visit the KHS site here. One of the designers, a friend of this blog, can be visited here.*** 

1 Linden Avenue, Kennebunk Beach, ME – Roberts’ predecessor to Rocky Pastures, and the subject of his essay “The Little Home in the Country.” Courtesy Portland Monthly

Kenneth Roberts’ search for solitude culminated with his building of Rocky Pastures in 1938, but as stated in my previous post, his search first led him to what he eventually called Stall Hall.

Stall Hall is the subject of his humorous essay “The Little Home in the Country” in For Authors Only.  In this essay, he comically relays his toils and trials of making his home a fortress against the outside world and the noise it brings.  I contrasts his toils of renovating Stall Hall with the supposed ease of renovating as presented by the “experts” of his day. 

These experts paint a picture of idyllic serenity, where foliage and flowers bloom with ease, and one “by digging occasionally in the damp and fragrant earth, one easily induces unbroken slumber and raises gargantuan vegetables.”   Just as easy is the remodeling of a farmhouse, where:

In most of these whimsical pieces, a young wife leads her husband into the country, shows him a semicollapsed  cottage, and talks him into buying it.  Then the two of them, with an old hammer, a borrowed saw, and a few secondhand nails, proceed to hammer it into perfect condition.

Little did he know, he would be renovating or remodeling some aspect of Stall Hall practically every year he lived there.  He says:

I do…desire to cry a bitter cry against the manner in which occupants of little homes in the country, and prospective occupants of such homes, are led to embark on ventures without being warned of the grief that may await them if they permit themselves, as I once did, to believe implicitly in catalogs and incomplete directions.

In honor, I’m sure, of his toils with Stall Hall, Roberts’ developed a motto for his home, “Nobody Ever Told Me About That.”  As stated in my previous post, the solitude of the area in which Stall Hall resided would soon be disturbed by the “first green, first and second fairways, and second tee” of Webhannet Golf Course (see an article dated in Oct. 2010 on the then-sale of Stall Hall from which this quote came) and his neighbor’s garages.  Upon making the decision of devoting his energies to writing historical fiction, Roberts, along with his friend Booth Tarkington, purchased another stable nearby and converted it into a “New England-Spanish workshop with a courtyard capable (I fondly imagined) of frustrating people determined to drop in for a cozy chat when I was most eager to work” (I Wanted to Write, 169).  He would name this Blue Roof.

I’ve yet to find in any of the resources I have what Roberts’ thought of Rocky Pastures after its construction, but I can only imagine that he had found what he was looking for.  Surrounded by natural beauty, his study walled in by the walled garden-far away from any neighbor or golf course-and separated from the highway by a half mile driveway, Roberts could now write without the distraction of the world.

***Note: Stall Hall was for sale at the publishing of the Oct. 2010 article “Kenneth Roberts and His Beloved Money Pit” in the online version of Portland Monthly. According to verani.com, Stall Hall sold in March of 2011 for $755,000.

View of the outside of the walled garden from potting shed. Courtesy of Paula Robinson Rossouw

The french doors of the study lead out to the walled garden. Immediately to the left upon exiting is the water feature. Photo courtesy of Paula Robinson Rossouw.

The last photo here is of Roberts’ study today.  This room, among others in the house, will be transformed by various designers, including Paula Robinson Rossouw, from June 23 – July 14.  Be sure to visit!

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Rocky Pastures: Before There Was the Walled Garden, Part I

Walled Garden with the water feature (missing the statue). One can only imagine the greenery and flowers that filled this garden. Photo courtesy of Paula Robinson Rossouw.

***The following is part of a series to promote Rocky Pastures and the Design Show House the Kennebunkport Historical Society is sponsoring at the estate on June 23 – July 14. You can visit the KHS site here. One of the designers, a friend of this blog, can be visited here.***

In his biography, I Wanted to Write, Kenneth Roberts tells of his search for a quiet place in which to do his research and writing undisturbed.  The genesis of this long search for solitude is difficult for me to pin down (in I Wanted to Write, page 143, in the midst of retelling his travels in Europe as a foreign correspondent on immigration [I believe this is correct], which is roughly around 1919 if my reading is correct), but what can be said is that Robert searched high and low in both Europe and America for his ideal spot in which to write in peace. 

Roberts’ first attempt was an old stable he converted into a home and named Stall Hall (the subject of Part II of this post).  Though he spent several years at this place, his wish for complete solitude was not fully realized due to the nearby golf course and the encroaching neighbors.  In his essay “The Little Home in the Country,” Roberts says of Stall Hall: 

No subtle premonition warned me that the local golf club might build a practice tee beneath my workroom windows: no ominous portent indicated that neighbors would feel an urge to place garages in my front and rear.

One method Roberts pursued to gain privacy from his neighbors and the seasonal golfers utilized his love of nature.  In “The Little Home in the Country,” Roberts provides a humorous account of his trials and errors when trying to plant bushes and vines that were to serve as a barrier to the outside world.

The focus of Roberts’ wit and sarcasm are those “persons who write whimsical pieces for the papers, giving readers the idea that a farmhouse can be remodeled as cheaply and as easily as one can buy a second-hand automobile.”  The implicit target of his humor and sarcasm, though, is himself and his sometimes futile attempts at growing greenery with the ease promised by the experts in the nurserymen’s annuals.  Roberts tells of his battle with unruly hedges (the Laurel-leaf Willow), stout snout beetles that were to ants as cows are to humans, and fruitless fruit trees.  Roberts most trying battle was with the bittersweet vines. 

In the case of my vines…the tip of each bittersweet tendril acts as a summer resort for innumerable aphids; and when these tips rest against a painted surface, the aphids leave unsightly smudges on it – smudges that can be obliterated only with two coats of paint.

The tendrils are long and springy.  When pruned, they sway convulsively, slapping the pruner across the mouth with tips heavily populated with aphids. As a result, for every five minutes spent by the pruner on bittersweet vines, he spends five hours removing aphids from himself…

Roberts search for solitude, then, seemed elusive while at Stall Hall considering his battles with encroaching golfers and neighbors, and the endless pursuit for the perfectly behaving greenery.

Roberts' study opened into the walled garden. These two spots best encapsulate Roberts and his passions. Photo courtesy of Paula Robinson Rossouw.

When Roberts built Rocky Pastures, though, he succeeded in finding his long sought-for solitude by having his study surrounded by a walled garden.  Though the walled garden is now more of a walled courtyard, one can only imagine the greenery and flowers adording the walled garden, easily viewable from Roberts’ study.  In my opinion, these two spots – more than any other at Rocky Pastures (except the duck pond) – encapsulate Kenneth Roberts the man, especially his passions.

Roberts’ hard-earned solitude was not easily gained though, as recounted above.  In addition to his yearly battle with nature, Roberts had to fight yearly with Stall Hall itself…

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