Kenneth Roberts the Man: Why He Wrote Historical Fiction

If you’ve been reading this blog the past few days, there’s been a lively discussion regarding the nature of Roberts’ research, of which I am not an expert to determine the truthfulness or falsity of what he presents.  As such, while I appreciate the comments from Stephen Sniegoski and Mark York, I remain in my belief that Roberts sought to portray information accurately, and will do so until I can read York’s book and weigh the evidence myself.  I do acknowledge, though, that no historian was 100% objective, completely unfettered by his own worldview and biases. Roberts, I am sure, and practically all historians (more some than others, though), struggle with this.  And, to be fair, this is not unusual – we must all, when given facts, interpret them.  At times, we can be spot on, and other times miss the mark.  When it comes to Roberts, the subject of this blog and a writer I am rather familiar with, I believe he did strive to do history well and accurately. 

Thus, in light of the recent discussion, my tendency is to first give Roberts the benefit of the doubt.  In his autobiography I Wanted to Write (particularly pages 166-169), Roberts discusses what brought him to begin writing historical fiction, and not just history.  This journey began when his curiosity was piqued regarding his family’s role in the American Revolution and in the War of 1812.  When he sought answers from his family, he came up empty of answers and overrunning with more questions.  He then turned to histories for answers.

I had tried to get some of these things straightened out in my mind by reading histories that purported to explain them; but in every case–not in most cases, but in every case–I found that the books explained nothing fully or satisfactorily.  They were drab, dull, unconvincing, rich in omissions, and crowded with statements that couldn’t possibly be true (167).

He goes on to mention other historians of ability (Francis Parkman and William Hickling Prescott, both of whom I am unfamiliar), but pointed out their deficiencies when it came to the American Revolution.  At some point, he came to a turning point in his career:

Before the summer ended I was disgusted beyond words by the incredible dullness and scantiness of so-called histories.  I realized that I could never find out what I wanted to know…unless I assembled all the necessary information from every obtainable source; then put all that information together in a book in which characters acted and talked.

That, it dawned on me, was what I must do.  Even though nobody read what I wrote, it ought to be done, because nobody had every done it before–and there ought to be at least one book that would give the good people of Maine an honest, detailed and easily understood account of how their forebears got along.  I hadn’t the slightest desire then to write what is known as an historical novel, not have I ever had any intention of doing so.  In fact, I have always had a profound aversion to most historical novels, because the people in them aren’t real people, and neither act nor talk like anyone I’ve ever known (168).

Based upon this, and other statements Roberts made elsewhere, I don’t think he sought to write a novel that happened to deal with history; I believe he sought to write history that was readable to the general public, and that means was through the novel.  Later in I Wanted to Write, Roberts discusses the time when Oliver Wiswell was being considered for a Pulitzer, giving us a glimpse into how he viewed his own works. 

Roberts had received news that Oliver Wiswell had not received the Pulitzer, having been ruled out “on the ground that it wasn’t really a novel, but history disguised as fiction” (356).  He would later write in one of his journals: “‘Apparently the Pulitzer Committee considers itself privileged to change the rules on literature as well as Pulitzer’s prize rules; but no matter what the Pulitzer Committee things or says, Oliver Wiswell will continue to be a novel as well as history” (356-57, emphasis mine).  I believe what we see here is that Roberts did not see his work as fiction, nor did he see his work as primarily a novel and secondarily a history.  I believe that Roberts truly believed he was writing a novel AND history; perhaps, based upon his earlier comments mentioned above, Roberts saw himself as writing a history through the vehicle of a novel.

Thus, I don’t think it’s fair to say that Roberts embellished things for the sake of his novel.  Did he get facts wrong?  I’m sure he did.  But to argue that it was due to personal bias or any other reason is to judge Roberts’ intent, which cannot be argued with 100% certainty, but rather to argue plausibly – the likeliness of Roberts embellishing fact for the sake of his novel or the factual error existing for other reasons.  To argue Roberts embellished fact for the sake of the novel, then,  is to place the burden of proof on the one making the claim, and this is a rather difficult claim to back, in my opinion.  

I Wanted to Write is an excellent glimpse into Roberts’ reasons for and motivation behind his writings.  It is also a glimpse into the numerous hours (more like months, even years) he put into research before and during his work on a particular book. If what he relays in his autobiography is honest and of unselfish motivation, then I think we should read his works in light of what he tells us, and handle possible factual errors accordingly.

With this said, I would like to reiterate how exciting it is to see Roberts’ work playing a role in today’s scholarship.  Let’s hope that more follow York by taking Roberts’ works seriously and critically.

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“Oliver Wiswell”: an Authoritative Work?

As stated before, I am catching up on Kenneth Roberts news in the blogosphere.  I try to post on matters I find relevant and helpful to those interested in learning more about one of America’s least-known great authors.  However, sometimes you’ve just got to post things out of the ordinary.

Over at On, Now, to the 3rd Level, Daniel Yordy discusses what I believe to be about community, particularly Christian community (not so much a church in the traditional sense, but a community in the sense of a commune?).  In this long post, Yordy discusses the issue of freedom and the “lie” that freedom does not result from war (I hope I understand his point correctly).  Now, what I find interesting is that Yordy quotes favorably Roberts’ Oliver Wiswell seemingly as an authoritative work in this matterHere’s what Yordy states:

If you want to know for certain that the American Revolution had absolutely nothing to do with freedom, just read the first three chapters of Oliver Wiswell by Kenneth Roberts. The American Revolution opposed freedom in every possible way. In reality, it was nothing more than an excuse to kill one’s neighbor and to burn down his home.

While I believe that Roberts was faithful to his commitment to accurately portray historical events (which I believe is backed up by his tedious research), I’m not sure how far one is to take the fictional aspect of his work as authoritative.  The chapters Yordy refers to, if I am not mistaken, are written from the perspective of the fictional character, Oliver Wiswell, who is a Tory living in America during the Revolutionary War.  The character gives his view, as a Tory, on the war.  While chapters 1 – 3 are technically Roberts’ words, he intends to portray common Tory sentiment of the war. On the other hand, I believe Roberts himself would side with the “rabble” who fought against England.

This issue raises the question on the role of historical fiction in one’s research and support.  If historical fiction is written in the manner of Kenneth Roberts (backed by significant research and historical facts presented as faithfully as possible), can it be used authoritatively? At the very least those parts that are historical fact in nature, as opposed to fiction written with no intention of presenting any historical fact (I am sure there are numerous forms of fiction; here I use “fiction” in its most general form, as a story made up by its author, not reflecting any true person(s) or even(s))?

Personally, I believe one treads on shaky ground if he bases an argument, in part or in whole (and outside of the realm of literature and the arts), on historical fiction; however, my opinion may be a result of my doctoral studies in which any reliance upon fictional works is frowned upon.

Kenneth Roberts in the Blogosphere: “Feast of Nemesis” on Oliver Wiswell

Feast of Nemesis provides short, but interesting thoughts on Roberts’ novel, Oliver Wiswell, of whom the main character is a Tory during the American Revolutionary War.

According to the post, Oliver Wiswell is contemporary:

The tragic dilemma of Oliver Wiswell and the tories is a central tragedy of our time. They learn what modern exiles have to learn: 1) that decency, thrift, sobriety, intelligence have no value in a civil war; 2) that there is no hope for the vanquished in a social revolution except to start life over again in a new country.

The post further states that “like all Roberts romances, Oliver Wiswell is also important history.”  I’m not sure I’d say that all of Roberts’ novels were primarily romances; rather, they were primarily history that involved romance within the plot.  I don’t think Roberts wrote with the idea of developing a new romance.  If this were so, his novels were all the same because the romance aspect seems to be rather identical in all of his novels.  Anyway, I digress.  The post goes on to say in regards to the novel as history:

Novelist Roberts sees the American Revolution as a social revolution in which the colonial masses, stirred by rabble rousers like Sam Adams and John Hancock, brought the colonies to the brink from which they were later saved by the men who framed the Constitution. This book explains why Americans became tories, why the tories, through they appear to have represented at least half of the population in the 13 colonies, were defeated, why the English were unable to quash the rabble in arms.

Again, interesting perspective in regards to one of K.R.’s most famous novels.

Kenneth Roberts in the Blogosphere: Links to Blogs Referencing K.R.

I’ve had a rather fruitful day of finding references to Kenneth Roberts in the blogosphere today!  I will be writing some posts on these blogs, but for the time being, here are the links for you to follow:

  1. Great Performances on Lydia Bailey
  2. Laudator Temporis Acti  on K.R. and beans
  3. Economic Thinking Books on K.R.
  4. Feast of Nemesis on Oliver Wiswell
  5. Boston 1775 on K.R. and Robert Rogers
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